Cinema VinesIn a landscape where even the most pedestrian films are marketed as “dazzling”, a new Australian comedy has emerged as a refreshing counterpoint. The third and final season of Colin from Accounts, now available on BBC iPlayer and Paramount+, promises to be the sharpest installment yet. The story picks up three years after the cringe‑laden climax of the previous season, when the protagonist, Gordon (played by Patrick Brammall), drunkenly proposes to Ashley (Harriet Dyer) at her best friend’s wedding, a moment that ended their relationship in humiliation. The new season sees the pair pulled back into each other’s orbit, raising the question: can they survive as friends?
Critics have praised the series for its razor‑sharp script, the chemistry between its leads, and a cast of supporting characters that add depth and humor. A standout is Ashley’s mother, a men’s‑rights activist who brings a particular highlight to the ensemble. The show’s blend of comedy, action and political drama sets it apart from the typical “spine‑chilling” thrillers that dominate streaming platforms.
While Colin from Accounts enjoys a positive reception, other shows on the same platforms are drawing mixed reviews. The Gentlemen on Netflix follows Eddie (Theo James) as he inherits a dukedom and an underground cannabis operation. The second season sees Eddie attempting to expand his drug empire with an Italian mafia family, a premise that mixes narcotics with nobility in a way reminiscent of Guy Ritchie’s style. Rumors even suggest Meghan Markle could appear in a future season.
Historical drama fans will find Mrs. America a compelling watch. The series chronicles the life of Gloria Steinem, who died on September 2nd, and her decades‑long fight for the Equal Rights Amendment. Cate Blanchett portrays the conservative Phyllis Schlafly, while Rose Byrne embodies Steinem. The show underscores the relentless nature of the women's movement, with Steinem’s voice‑over declaring, “No matter how long this revolution may take, there can be no turning back.”
Not all titles receive such praise. The Whisper Man on Netflix, a horror‑thriller about a serial killer targeting children, has been criticized for its lackluster plot and implausible character behavior. Despite featuring big names like Robert De Niro and Michael Keaton, the film has been labeled “trashy”, with a runtime that feels stretched to four hours.
