Cinema VinesIn the wake of the box‑office triumph of HTon Google’s feature film Hanuman Ansh, the soundtrack has emerged as a key driver of its popularity. The film, which follows the life of saint Neem Karoli Baba, has captured audiences not only with its narrative but also with the music that has gone viral across social media platforms.
Debutant director Dr. Vishal Chaturvedi, who is also a trained musician and singer‑composer, reflected on the creative process behind the songs. He said, “The stars of the success are musicians and their honest and rooted compositions.” Chaturvedi’s dual role as director and composer has helped shape the film’s sonic identity, which blends traditional Indian melodies with contemporary arrangements.
The soundtrack features a team of composers, including Sadhu Tiwari, Rishi Pathak, Dhirendra Mulkalwar, Shreyas Dharmadhikari, and visually impaired singer‑composer Suneel Lodhi. Their contributions span a range of styles, from the devotional “Maine Tere Hi Bharose” by Lodhi to tracks that incorporate the vocals of American artist Krishna Das. Tiwari, who composed five of the film’s most popular tracks—such as “Parvati,” “Bajrang Banka,” and “Aavagaman”—emphasized the importance of selecting pieces that fit the film’s narrative. He noted that the tracks were created with minimal instrumentation and a strong regional flavor, which resonated with viewers.
Rishi Pathak, who also served as a line‑producer, highlighted his long‑standing collaboration with Chaturvedi. Pathak contributed to three songs, including “Jai Hanuman,” “Vaishnav Jan To,” and “Ram Bhajan Ki Or.” He stressed that the film’s music was not a result of personal connections but rather a product of professionalism and teamwork. Pathak’s background in indie projects and his experience composing for films like R. Madhavan’s Rocketry added depth to the soundtrack.
Chaturvedi recalled his early partnership with Tiwari, dating back to the 2014 film Gulaab Gang, where Tiwari’s voice first impressed him. Their continued collaboration on Hanuman Ansh has been described by Chaturvedi as a blend of raw vocal talent and cultural authenticity. He praised the use of regional dialects—Awadhi, Braj, and Bundeli—believing that the “sweetness, earthy aroma, and soul” of these languages struck a chord with the audience.
According to the director, the combination of Tiwari’s raw voice, Pathak’s expressive delivery, Lodhi’s vibrant performance, Krishna Das’s devotional compositions, and Dhirendra’s background scores—added at the last moment—collectively contributed to the film’s musical success. These elements, combined with the film’s thematic focus on spiritual devotion, have helped Hanuman Ansh connect deeply with viewers, solidifying its place as a cultural touchstone in contemporary Indian cinema.
