India’s microdrama scene is taking a new turn, as the format that once served mainly as a launchpad for fresh talent is now drawing seasoned actors from film, television and the creator community. The latest wave of star‑powered stories includes Kusha Kapila and Sheeba Chadha’s 14‑episode series “Likhe Jo Khat Tujhe,” which will debut on Kapila’s Instagram on September 30.
Created and written by Namrata Wadhwani and directed by Raashi Priya Nahata, the drama follows an accidental pen‑pal relationship between two women coping with heartbreak and life’s upheavals. Kapila plays Anisha, a Mumbai‑based woman trying to move on from a broken relationship, while the veteran actress Sheeba Chadha portrays Charu, a widow in Lucknow navigating grief and a new chapter. The series marks Kapila’s first foray into the microdrama format.
What makes “Likhe Jo Khat Tujhe” especially noteworthy is its distribution model. Rather than airing on a television channel or an OTT platform, the show will be released episode‑by‑episode on Kapila’s own Instagram page. This demonstrates how creators with sizable followings can transform their social‑media handles into legitimate distribution channels for original fiction content.
Not stopping at Kapila, other prominent television and reality‑show personalities are also jumping into vertical fiction. Nikki Tamboli stars in “Ex vs Wife,” a microdrama that pits her against Vishal Aditya Singh. Tamboli takes on two contrasting roles—one positive, one negative—showcasing the range that the format allows. Together, these projects signal a broader shift in India’s short‑form fiction ecosystem.
For established performers, vertical fiction offers a middle ground between traditional media and the fast‑paced world of reels. Unlike short reels, microdramas provide fully fleshed‑out characters, conflicts, emotions and narrative arcs, yet they demand a different production and viewing experience than daily serials or long‑form streaming shows. This makes the format attractive not only to aspiring talent seeking visibility but also to seasoned actors eager to experiment without committing to a full‑length project.










