Cinema VinesSince the former Bison co‑star Anupama Parameswaran spoke out in a YouTube interview, the name of Dhruv Vikram has resurfaced across social media. In the interview, Anupama revealed she had been in a two‑year relationship with a narcissistic ex‑boyfriend, never naming him but hinting at a connection to the actor’s son. Rumours that the pair were dating during the filming of Mari Selvaraj’s Bison Kaalamaadan and even an unverified photo of them kissing have kept the speculation alive.
Dhruv Vikram, however, has chosen to stay silent. Instead of commenting on the gossip, he posted a quiet beach video on his Instagram Stories. The clip shows waves crashing against the shore as dusk falls, a child running toward the water, and other people enjoying the tranquil setting. No caption or response accompanies the footage, signalling a preference for peace over public confrontation.
In her interview, Anupama compared her ex‑partner to the split‑personality character from Vikram’s 2005 hit Anniyan, describing the experience as “like having Anniyan in your life.” She elaborated on the stages of recognising narcissistic abuse, noting how some people are unaware, others dismiss it as gender‑based, and the most dangerous group are those who have not yet identified the abuse. She also reflected on her healing journey, citing a conversation with Madonna Sebastian that made her feel physically shaken.
The dating rumours gained traction after Anupama was photographed at a Chennai awards show, where Dhruv wished her a happy birthday on stage. She later reposted a selfie from a Mumbai awards show, adding a heart emoji. Anupama has also shared her own beach video, captioning it “Sometimes, you have to let go of the dead,” further fueling the narrative that the two may have been close.
Despite the swirling gossip, Dhruv’s calm response and Anupama’s candid discussion of abuse highlight a stark contrast. While the public speculates about their relationship, the actors appear to be navigating the situation in very different ways—one through silence and nature, the other through open dialogue about personal trauma.
